JACQUELYN BROWN
PRACTITIONER OF HARP THERAPY
ARTICLE
MUSIC THERAPY HELPS SOOTHE DYING PATIENTS
When people are dying, and words and gestures become inadequate, music can
help people express their inexpressible feelings and ease their worst
pain. This is the philosophy behind music therapy, a fusion of music,
psychology and simple compassion.
The sound of music in ordinarily silent, sterile hospital corridors has
enriched the last days of terminally ill patients in select palliative
care centres across Canada for many years. Two Londoners are among a
growing number of people in Canada who are bringing music to the bedside.
Joni Luterman, an accredited music therapist and faculty member of the
music therapy program at Wilfred Laurier University, says more people
involved in palliative care are learning about the discipline.
In London, this growing awareness is partly due to a workshop she teaches
in a multi-disciplinary palliative care course offered through the
University of Western Ontario. The seminar introduces doctors, nurses and
other palliative-care professionals to the benefits of music therapy.
Bringing song and sound into the lives of people who are dying touches
different people in different ways, she says, but the therapist's
essential goals are always the same. They want to diminish patient's
anxiety, loneliness, fear and pain, and boost their sense of well-being.
Music therapists assess patients individually to determine how they can
facilitate these changes. Depending on the situation, they may compile
people's favorite music on tape that can be left to their loved ones,
compose songs with them, play instruments, sing or just listen to favorite
music selections together.
She says music affects people on a very personal level, and it can induce
calm and encourage emotional expression. "Music is a part of everybody's
lives," she says.
JACQUELYN BROWN
uses music's instinctive appeal to comfort people nearing the end of their
lives, but she has taken a different approach in her education. Brown is
an accomplished harpist studying to be a practitioner of harp therapy, not
an accredited music therapist. She will graduate from the International
Harp Therapy Program in Vermont this summer (1997).
Brown has been practicing harp therapy at St. Joseph's Health Centre
since July '96, but the idea of working in palliative care occured to her
much earlier. She says playing the harp has always been very calming for
her, and she felt it was uniquely suited to helping people who needed some
serenity in their lives. "I think it has to do with the gentleness of the
sound and the amount of vibration that comes off the harp. You really feel
it, and it's very therapeutic."
Part of Brown's training involves learning about the harp's impact on the
body, mind and spirit. She says vibrations of different resonances affect
different components of a person.
"The music is always a catalyst," she says. "It always initiates
something. I have not been in a room where the music has not sparked
conversation, tears or relaxation. It touches the heart."
People respond very differently to harp music, so she never has an agenda
for therapy sessions.
While some of the methods may vary, harp therapy practitioners and music
therapists such as Brown and Luterman share at least one objective -- to
use music to enhance the quality of life of people confronting death.
"There's so much self-discovery on the job," Brown says. "You're touched
on a heart level so deeply, and you find out if you're really a person of
compassion or not. If you're not, I really don't think you can do this
work."
_____________________________
An article from the palliative care special sections insert
of the London Free Press - Spring 1997 - by Megan Easton.
MEANINGFUL FIRST MOMENTS:
July 20, 1996 Jacquelyn played live harp music for the labour and delivery
of a male child, Hayden, at 7 lbs. 2 oz. in Kitchener, ON Canada at 4:15
am at a home birth assisted by midwives.
Sat. Sept. 6, 1997 Jacquelyn played harp music for the memorial service of
Diana, Princess of Wales, at St. Paul's Anglican Cathedral in London,
Canada. A half hour harp prelude and an instrumental version of
Jacquelyn's song - The Winds Of Love - was played during the service.
Wed. Oct. 8, 1997 Jacquelyn played harp music for the funeral of her
oldest nephew Tom, who was 24. A half hour harp prelude and an
instrumental version of Jacquelyn's song - The Winds Of Love - as a
recessional were played... a difficult yet meaningful time.